Cut Chemist's New Album

Press Release
*****
"They say you get as long as you need to make your first album, but the
second one you get a year!" jokes Cut Chemist.

No sweat, folks -- this scientist is ready: The Los Angeles native
recorded hundreds of songs before selecting the final 12 for his Warner
Bros. Records debut album, The Audience's Listening (release date:
7/11/06).

Consider this: Cut Chemist's songs have been built with the assistance
of thousands of rare, crazy, odd, eccentric and quite often unplaceable
samples from other records, a truly global library that has been
amassed from his extensive travels and dates back to sometime around
1977, when a young, pajama'd Lucas Macfadden was photographed asleep
and snuggled up tight to his very own vinyl copy of Disney's Haunted
Mansion - dedication from the early days.

Throughout his life, he's honed his skills as a record hunter
extraordinaire (though he probably doesn't throw his fresh kill up on
the wall like other marksmen). That's a history that has built up into
a varied and uplifting album that even defies his complimentary
characterization as someone known to play with sound in unexpected
ways.

It's true that The Audience's Listening was a bit of a long time in the
making, but imagine how relatively little time Cut Chemist has had in
the laboratory. Mainly, he's toured a lot. He spent 12 years as a DJ
and producer for LA hip-hop dynamos Jurassic 5 (which traversed the
country and world via packages like Lollapalooza and The Warped Tour),
five years playing the turntables as a beautiful instrument backing up
the Grammy-winning Latin alternative band Ozomatli, and several years
releasing highly bootlegged mixtapes (such as his Brain Freeze Original
Soundtrack collaboration with DJ Shadow in 1999, a much sought eBay
delight that lead to another popular meeting of the two in 2004's
Product Placement tour and DVD). Throughout it all, he's found the time
to helm his own recurring club nights in Los Angeles (these days he can
often be found on Saturday nights playing at "Funky Sole" at Hollywood
lounge Star Shoes).

As an in-demand DJ that's always tried to further his craft as a
producer, Cut Chemist has had to juggle a lot more than beats over the
years. But, after departing Ozomatli and, more recently, Jurassic 5 in
late 2004, his focus is finally squarely on himself.

"That's probably part of why it took me so long," he says of the album.
"I had to retrain myself into seeing that I was the only one here.
There's really no one else I have to clear things with."

Free and clear from committee vetoes, sure. Free and clear from
clearing rare and not-so-rare samples, not so much.



CUT CHEMIST met future Jurassic 5 MCs Chali 2na and Mark 7 at a park
jam in Silverlake, while attending an arts-based high school in the
center of Los Angeles, which boasts other famous alums such as Leonardo
DiCaprio. The three were part of a group called U.N.I.T.Y. Committee
(which made its cassette debut in 1991 and played at shows with Tupac
Shakur, among others). By the next year they were enjoying the
unexpectedly fertile talent scene at the weekly open mic night at the
Good Life Café, a health-oriented restaurant in South Central LA's
historic Leimert Park area. The Good Life helped nurture the careers of
Freestyle Fellowship and Pharcyde, among others. It also facilitated
the formation of Jurassic 5, when these three U.N.I.T.Y. members joined
forces with another group, Rebels of Rhythm. Cut Chemist's first
original production came on "Lesson 6" from the Jurassic 5 EP: A cheeky
head-nod to the pioneering sample-based cut-ups of Steinski & Double
Dee (who first gained attention in the early '80s via record called
"Lesson 1").

Now, 13 years since the formation of Jurassic 5, there's a new school
in session. The first lesson: To call The Audience's Listening a
hip-hop album would be to miss the point entirely.

"I think this album mirrors the world palate - there's Brazilian stuff,
rock stuff, Eastern European influences and many others," he notes. "I
wanted it to be that way, to kind of give it a texture of, 'Hey, I go
all over the world and buy records!'" The album has allowed Cut Chemist
to get back to the root of his DJ self; back into the crates, though
these days that means vinyl, CDs and digital files.

Bookended by what he would call the more "classic Cut Chemist" styles
("Motivational Speaker" and "The Audience Is Listening (Theme Song),"
the meat in between often leaps into new sonic territory. The
Kraftwerkian "Metrorail Thru Space," or the lushly guitar-driven "The
Garden," recorded in Brazil. The legacy of hip-hop is still a firm
root, which might be best evinced on "What's The Altitude" featuring
Hymnal. The song was inspired by the hissy and muffled (yet
unbelievably dope) recordings on widely circulated cassette tapes of
old-school hip-hop DJ battles, like the 1978 face-off between the L
Brothers and the Herculoids.

Speaking of battles, it's audible that Cut Chemist has given his all
for this project, fighting with his heart and soul: "I treated songs as
if they were the last I was gonna make," he says.

The Audience's Listening is a product of a Los Angeles native who's
lived in the bustling metropolis for all of his 33 years. It's what's
shaped his sound and diverse outlook, his playfulness and his edge (as
camouflaged in sweetness as it may be). It is also evocative of an era
when sound enthusiasts put out records for the adventure of it, not
just as a vehicle tied to hit singles and booty-shaking videos. Using a
turntable, mixer and computer to create the songs, it is an homage to
all that is musically possible from the fingertips of a gifted DJ and
imagineer.

"Everything on the album was uncharted territory, something I've never
done before. The only thing that's worth doing is exploration."

Check out his website on the sidebar, or click here.